Düsseldorf: der schiefe Blick
Andreas Simon, Eva Tremel,
Ludger F.J. Schneider (all photography)
+ guests
29 - 7 - 05
Expansion
30 - 7- 05
Stadt in Bewegung
city in movement
12 - 8 - 05
An die Arbeit
[get] to work
13 - 8 - 05
Unorte / Vorräume
un-spaces / pre-spaces
26- 8 - 05
Stadt in Bewegung
city in movement
27 - 8 - 05
Expansion
9 - 9 - 05
An die Arbeit
[get] to work
10 - 9 - 05
Unorte / Vorräume
un-spaces / pre-spaces
"con.sens.us originated from the curiosity to (re)discover the extraordinary within the ordinary. The dancers and actors follow the pedestrian choreography of traffic, streams or pedestrians, bicycle riders, children's laughter and silence. They are focussing on the not-so-obvious and practice the slant look at what is visible. Pedestrians secretly become co-actors and carry traces of memory within themselves. Every day has its own (pre) signature."
→ see the website www.consensus.kulturserver.de
concepts of this realisation © 2005 Andreas Simon, Eva Tremel
all visual material © 2005 Andreas Simon, Eva Tremel, Ludger F.J. Schneider
Ludger F.J. Schneider (all photography)
+ guests
29 - 7 - 05
Expansion
30 - 7- 05
Stadt in Bewegung
city in movement
12 - 8 - 05
An die Arbeit
[get] to work
13 - 8 - 05
Unorte / Vorräume
un-spaces / pre-spaces
26- 8 - 05
Stadt in Bewegung
city in movement
27 - 8 - 05
Expansion
9 - 9 - 05
An die Arbeit
[get] to work
10 - 9 - 05
Unorte / Vorräume
un-spaces / pre-spaces
"con.sens.us originated from the curiosity to (re)discover the extraordinary within the ordinary. The dancers and actors follow the pedestrian choreography of traffic, streams or pedestrians, bicycle riders, children's laughter and silence. They are focussing on the not-so-obvious and practice the slant look at what is visible. Pedestrians secretly become co-actors and carry traces of memory within themselves. Every day has its own (pre) signature."
→ see the website www.consensus.kulturserver.de
concepts of this realisation © 2005 Andreas Simon, Eva Tremel
all visual material © 2005 Andreas Simon, Eva Tremel, Ludger F.J. Schneider
0 Comments:
Post a Comment
<< Home